Kunsthalle Mannheim
Kunsthalle Mannheim
4.5
10:00–18:00
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10:00 - 18:00
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10:00 - 20:00
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10:00 - 18:00
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10:00 - 18:00
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10:00 - 18:00
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10:00 - 18:00
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4.5
133 anmeldelser
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Sergey
Leimen, Tyskland44 bidrag
feb. 2023 • Par
Truly must visit Contemporary Art Museum, clearly best one in Rein-Neckar Metropolis. Alway great temporary expo, as well as truly treasures in permanent collection
Skrevet 5. februar 2023
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dorisd
Germ, Frankrike22 bidrag
sep. 2022
Schon die Architektur des vor Jahren restaurierten Gebäudekomplexes deutet auf "Kunst" hin. Das hohe lichtdurchflutete Innere spricht mich an. Der Mief vieler Kunstmuseen empfängt den Besucher nicht. Von den Hängungen, sowohl bei temporären als auch bei permanenten Ausstellungen wird man nicht erschlagen.
Skrevet 14. november 2022
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John Wheeler
Heidelberg, Tyskland88 bidrag
aug. 2022
Mannheim is not a major city. But this is actually one of Germany's better art museums. It has a surprising number of works by important artists in its collection, particularly German Expressionists (Beckmann, Dix) and also a Van Gogh, Manet, Renoir, Monet . . . a lesser Edvard Munch, plenty of other little gems, as well as some very interesting modern installations. The staff are friendly and knowledgable. The building itself is also quite stunning. It's a great day out!
Skrevet 3. august 2022
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Werner P
Ettenheim, Tyskland2 bidrag
okt. 2021
So ausführlich war die Ausstellung, die vor Jahren in London stattfand und die ich dort shon gesehenb hatte, nicht.
Skrevet 3. mai 2022
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periandro
Luxembourg by, Luxembourg7 411 bidrag
jul. 2021
The Kunsthalle Mannheim was built in 1907 under the architect Hermann Billing's design. An extension of the Museum was carried out in 1983. It was destined to house especially a sculpture collection. That extension design was entrusted to the architect Hans Mitzlaff.
It's the right place in Mannheim to admire the city art collection as well as to behold temporary exhibitions. Among the items the permanent art collection consists of there are real masterpieces by great painters, some of them belonging to the French Impressionism, such as Monet, Van Gogh, Pissarro, and others belonging to the German Expressionism. There is also a marvellous collection of sculptures, some of them by Auguste Rodin, Henry Moore and Richard Long.
On the day I visited the Museum, 17.07.2021, there was a temporary exhibition comprising excellent works by the Belgian painter James Ensor. It included a rather complete range of Ensor's creative work. It's amazing to realise how in some of the relevant paintings Ensor works on the light to reproduce some emotions. In general through the form of the light he calls up in his paintings different moods: from light melancholy to hopeless despondency or diabolic strange aggressivity.
Upon observing the paintings depicting interiors the fact that these appear as oppressive and obsessive is outstanding. In them a zone betwixt reality and dream is shown thus setting out a demarcation between the objects and the imagination.
In Ensor's landscape pictures the forms are unclear and the flickering light makes the contours become blurred. While watching his sea landscapes one may have the feeling that the limits between water, land and air have been removed. A number of those Ensor's landscape paintings may remind the French impressionism. However, some important differences between both styles can be outlined. While the impressionists want to reproduce a specific moment, Ensor decomposes space and time and projects visions on colours and light. Such Ensor's paintings look in a high degree like being influenced by William Turner's.
Little by little Ensor shows his highly own point of view which will later reach its peak in the mask paintings. In connection with that part of his oeuvre Ensor places himself as an idiosyncratic outsider who often anticipated aspects of modernity, what can be observed in the exhibition concerned. The mask became a motif in his work, representing the merger of levels of reality as well as deception and unmasking. Ensor finds in grotesque theater characters, caricatures ans satire the adequate means of expression. In his pictures he exposes the sadness of the past time and puts up his own fantastic imagination.
In that exhibition the Scenes of the Life of Christ were very interesting. In them Ensor depicts central events from Jesus's life in 32 lithographs. To a great extent many of the individual works are somewhat conventional. However other illustrations are in contrast with the conventions of Christian art insofar as the persons there depicted are either grotesquely overdrawn or their actions are highly caricatured. For example, in the portrait of the Holy Family Mary and Joseph appear with monstrous facial features, and the baby Jesus is not a human being but a worm like creature. It's indeed exciting to realise in these lithographs, in addition to Ensor's idiosyncratic interpretation of the biblical events, his ostensibly naïve, brightly coloured imagery.
A picture included in that exhibition, to wit “Christ's entry into Jerusalem”, which in Ensor's work takes place at the Brussels carnival of 1889 deserves special attention. It shows the fascination by the socially explosive power of Jesus Christ and the painter's wish to transfer this revolutionary impact to his own time.
From the foregoing it clearly derives that the Kunsthalle Mannheim is a very interesting museum where some real masterpieces are exhibited. It's no doubt the first place where one should go after arriving in the stated German city.
It's the right place in Mannheim to admire the city art collection as well as to behold temporary exhibitions. Among the items the permanent art collection consists of there are real masterpieces by great painters, some of them belonging to the French Impressionism, such as Monet, Van Gogh, Pissarro, and others belonging to the German Expressionism. There is also a marvellous collection of sculptures, some of them by Auguste Rodin, Henry Moore and Richard Long.
On the day I visited the Museum, 17.07.2021, there was a temporary exhibition comprising excellent works by the Belgian painter James Ensor. It included a rather complete range of Ensor's creative work. It's amazing to realise how in some of the relevant paintings Ensor works on the light to reproduce some emotions. In general through the form of the light he calls up in his paintings different moods: from light melancholy to hopeless despondency or diabolic strange aggressivity.
Upon observing the paintings depicting interiors the fact that these appear as oppressive and obsessive is outstanding. In them a zone betwixt reality and dream is shown thus setting out a demarcation between the objects and the imagination.
In Ensor's landscape pictures the forms are unclear and the flickering light makes the contours become blurred. While watching his sea landscapes one may have the feeling that the limits between water, land and air have been removed. A number of those Ensor's landscape paintings may remind the French impressionism. However, some important differences between both styles can be outlined. While the impressionists want to reproduce a specific moment, Ensor decomposes space and time and projects visions on colours and light. Such Ensor's paintings look in a high degree like being influenced by William Turner's.
Little by little Ensor shows his highly own point of view which will later reach its peak in the mask paintings. In connection with that part of his oeuvre Ensor places himself as an idiosyncratic outsider who often anticipated aspects of modernity, what can be observed in the exhibition concerned. The mask became a motif in his work, representing the merger of levels of reality as well as deception and unmasking. Ensor finds in grotesque theater characters, caricatures ans satire the adequate means of expression. In his pictures he exposes the sadness of the past time and puts up his own fantastic imagination.
In that exhibition the Scenes of the Life of Christ were very interesting. In them Ensor depicts central events from Jesus's life in 32 lithographs. To a great extent many of the individual works are somewhat conventional. However other illustrations are in contrast with the conventions of Christian art insofar as the persons there depicted are either grotesquely overdrawn or their actions are highly caricatured. For example, in the portrait of the Holy Family Mary and Joseph appear with monstrous facial features, and the baby Jesus is not a human being but a worm like creature. It's indeed exciting to realise in these lithographs, in addition to Ensor's idiosyncratic interpretation of the biblical events, his ostensibly naïve, brightly coloured imagery.
A picture included in that exhibition, to wit “Christ's entry into Jerusalem”, which in Ensor's work takes place at the Brussels carnival of 1889 deserves special attention. It shows the fascination by the socially explosive power of Jesus Christ and the painter's wish to transfer this revolutionary impact to his own time.
From the foregoing it clearly derives that the Kunsthalle Mannheim is a very interesting museum where some real masterpieces are exhibited. It's no doubt the first place where one should go after arriving in the stated German city.
Skrevet 18. desember 2021
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movozo
Ludwigshafen, Tyskland810 bidrag
okt. 2021 • Venner
Immer wieder wechselnde Ausstellungen.Gut gemachtes Gebäude, verbunden mit dem Altbau. Schöner Blick auf den Wasserturm
Skrevet 21. oktober 2021
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Stefano S
Ludwigsburg, Tyskland6 400 bidrag
okt. 2021
Ero da un pó di tempo che volevo vedere questo museo , anche dopo la riapertura, avvenuta il 1 giugno del 2018, e la visita ne é valsa la pena.Trovo il museo bello architettonicamente é molto interessante, dal moderno alla pittura dei grandi maestri francesi c´e´tanto da vedere.Noi abbiamo visto anche l´esposizione su James Emsor con tantissimi quadri.Bella la sala con capolavori della pittura francese cmq c´e´tantissimo da vedere pensando che ci sono 2150 quadri e 840 sculture .
Gli scultori sono rappresentati con grandi maestri da Moore , a Rodin , Giacometti e molti altri.Penso che se si visita Mannheim si debba visitare e ammirare assolutamente questo museo.Il prezzo d´entrata é di 12 €.
Gli scultori sono rappresentati con grandi maestri da Moore , a Rodin , Giacometti e molti altri.Penso che se si visita Mannheim si debba visitare e ammirare assolutamente questo museo.Il prezzo d´entrata é di 12 €.
Skrevet 6. oktober 2021
Denne anmeldelsen er den subjektive meningen til et Tripadvisor-medlem og kommer ikke fra Tripadvisor LLC. Tripadvisor sjekker anmeldelser.
elmarkoppernok
Cuxhaven, Tyskland91 bidrag
sep. 2021
Sonderausstellung zu James Ensor: Sehr beeindruckend. Ein Impressionist, Symbolist, früher Surrealist. Das Museum bietet jedem Besucher ein informatives Heft. Die Ausstellung ist umfangreich und bietet eine breite Übersicht über das Schaffen dieses vielseitigen Künstlers. Dazu braucht man allerdings Zeit.
Die Kunsthalle hat aber noch mehr zu bieten. In einem Extra-Schaudepot sind Raritäten aus dem Bestand ausgestellt. Farüber hinaus gibt es noch zahlreiche andere Räume. Schwerpunkt ist die Malerei ab dem 19. Jahrhundert.
Die Kunsthalle hat aber noch mehr zu bieten. In einem Extra-Schaudepot sind Raritäten aus dem Bestand ausgestellt. Farüber hinaus gibt es noch zahlreiche andere Räume. Schwerpunkt ist die Malerei ab dem 19. Jahrhundert.
Skrevet 24. september 2021
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Hugo_Wa
Zevenaar, Nederland495 bidrag
aug. 2021
Rondom de allom bekende Wasserturm, met aan de achterzijde de Wasserspiele heeft men getracht om met symetrisch gebouwde panden een mooie omgeving te creëren. Aan de andere zijde sluit het Congress Center Rosengarten daar ook nog op aan.
Alleen heeft een of andere onbenul tussen die gebouwen en het eveneens klassieke Maritim Hotel een spuuglelijke nieuwbouw neergzet. Zowel de architect alsook de opdrachtgevers zouden een levenslang beroepsverbod moeten krijgen.
Het oude gebouw (wat ten koste van deze lelijke puist is gesloopt) paste in ieder geven beter in de omgeving.
Alleen heeft een of andere onbenul tussen die gebouwen en het eveneens klassieke Maritim Hotel een spuuglelijke nieuwbouw neergzet. Zowel de architect alsook de opdrachtgevers zouden een levenslang beroepsverbod moeten krijgen.
Het oude gebouw (wat ten koste van deze lelijke puist is gesloopt) paste in ieder geven beter in de omgeving.
Skrevet 30. august 2021
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Sausewind
Hanover28 bidrag
aug. 2021
Das Angebot im Shop ist ziemlich begrenzt, das Cafe Luxx nebenan bietet hohe Preise und schlechten Service.
Skrevet 23. august 2021
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Vanlige spørsmål om Kunsthalle Mannheim
- Kunsthalle Mannheim er åpen:
- Tir - Tir 10:00 - 18:00
- Ons - Ons 10:00 - 20:00
- Tor - Søn 10:00 - 18:00
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- Hoteller i nærheten av Kunsthalle Mannheim:
- (0.16 km) SevenDays Hotel BoardingHouse Mannheim
- (0.15 km) Central Hotel
- (0.09 km) Maritim Hotel Mannheim
- (0.16 km) Hotel Basler Hof
- (0.21 km) Leonardo Royal Hotel Mannheim
- Restauranter i nærheten av Kunsthalle Mannheim:
- (0.03 km) LUXX
- (0.16 km) Bustan
- (0.20 km) Dobler’s Restaurant
- (0.11 km) Takeshi Sushi Bar
- (0.15 km) L'Osteria